Preeti Jhangiani is one of those actors you remember at once. For many, she is the soft-spoken “Mohabbatein girl,” who won hearts in the blockbuster romantic drama at the turn of the millennium
But that famous role was not her beginning, and it was not her end. Before Bollywood, she appeared in a much-loved Rajshri music album that ruled TV channels across India.
Before her Hindi debut, she had already stepped into films down south. After her early fame, she worked across languages, took time for family, and returned with award-winning roles and new ventures.
Today, Preeti’s story is more than filmography. It is a story about range. She has acted in Hindi, Malayalam, Telugu, Punjabi, and Rajasthani projects. She has produced films.
She has also co-founded a professional arm-wrestling league and now champions athletes with the same calm focus she once brought to screen romances. Her journey shows staying power in a fast-moving industry, and a willingness to learn and evolve.

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Table of Contents
Preeti Jhangiani’s Biography
Early Life
Preeti Jhangiani was born in Mumbai and grew up in a Sindhi family. She studied in Mumbai and, like many Mumbai kids with a creative spark, drifted toward modeling and on-camera work while still young.
In the late 1990s, music channels were hot. Non-film albums often created household faces overnight. Preeti was one of those faces.
Her first major splash came through Rajshri Productions’ album “Yeh Hai Prem.” The songs and visuals had a clean, warm style that fit the era’s mood. Viewers noticed her grace and camera comfort at once.
The album paired her with actor Abbas, and the visuals, including a cute koala icon, became a talking point. This early success gave her a national presence before her first film role.1
Early mornings done right! Flagged off ‘Run For Unity’ by @mumbaipolice to celebrate Sardar Vallabhai Patel Jayanti with Jt. Commissioner Law and Order Shri Satyanarayan Chaudhary, Shri Dixit Gedam, Naseeruddin Shah @FarOutAkhtar @parvindabas @nehapendse Katrina Jackson pic.twitter.com/XM33Ov7nXG
— Preeti Jhangiani (@preetijhangiani) October 31, 2025
The “Chui Mui” effect
The track “Chuimui Si Lagti Ho” (from the same Rajshri album cycle) became especially popular. That gentle, wistful vibe matched Preeti’s screen aura.
When TV channels played it on loop, her name stuck. Ads followed, including well-known soap commercials, which further raised her profile and opened doors beyond music videos.
Stats Table
| Field | Details |
|---|---|
| Full Name | Preeti Jhangiani |
| Profession | Actress, Model, Producer, Sports Entrepreneur |
| Date of Birth | 18 August 1980 |
| Birthplace | Mumbai, Maharashtra, India |
| Nationality | Indian |
| Languages Worked In | Hindi, Malayalam, Telugu, Punjabi, Rajasthani (and appearances in Kannada, Tamil) |
| Years Active | 1997 – present |
| Screen Debut | Music album “Yeh Hai Prem” (Rajshri) |
| Film Debut (Malayalam) | “Mazhavillu” (1999) |
| Bollywood Debut | “Mohabbatein” (2000) |
| Notable Awards | IIFA Star Debut of the Year (Female) for “Mohabbatein” (2001); RIFF Best Actress for “Taawdo the Sunlight” (2017) |
| Spouse | Actor-filmmaker Parvin Dabas (m. 2008) |
| Children | Two sons |
| Known For | “Mohabbatein,” “Awara Paagal Deewana,” “LOC: Kargil,” “Aan: Men at Work,” Rajasthani film “Taawdo the Sunlight,” and co-founding Pro Panja League |
| Recent Work | Feature film “Udaipur Files” (2025) |
Film Debut: South First, Then Bollywood
Many fans assume “Mohabbatein” was Preeti’s first film. It was, in fact, her Hindi debut. She had already stepped into cinema with “Mazhavillu” (1999), a Malayalam romantic thriller.
Shot partly in Europe, the film paired her with Kunchacko Boban and Vineeth. It is a remake of director Dinesh Baboo’s own Kannada film “Amruthavarshini.”
The film gave Preeti her first taste of feature acting, and the Malayalam audience noticed the new face with a soft yet steady screen presence.
In the same phase, she worked in Telugu cinema. She appeared with Pawan Kalyan in “Thammudu” (1999) and later in “Narasimha Naidu” (2001).
These roles showed she was open to different industries and languages from the start of her career. That early flexibility became a pattern an asset she would rely on when balancing work and family later.

The Big Bollywood Break: “Mohabbatein” (2000)
Everything changed with “Mohabbatein.” The film was a starry ensemble led by Amitabh Bachchan and Shah Rukh Khan.
Aditya Chopra’s second directorial arrived with major buzz and a sweeping love theme. Preeti played Kiran, one of the new students who carry the film’s romantic heartbeat. Her look, poise, and calm smile fit the film’s tone. The audience embraced her at once, and the industry took note.
Preeti earned the IIFA Star Debut of the Year (Female) for “Mohabbatein” in 2001. For a newcomer, this was a significant signal. It meant her performance and impact had crossed beyond pretty frames and into lasting recognition. Years later, she still hears fans call her “the Mohabbatein girl.”
She takes it as a badge of love. She has spoken with warmth about that set, and about what she learned from legends like Amitabh Bachchan and Shah Rukh Khan especially their humility on set.
That debut also taught her how a big-ticket Hindi film works from inside. “Mohabbatein” was shot with scale and polish. For a young actor still building set instincts, the experience was like a fast-track film school.
She has recalled simple but telling moments, such as a senior actor offering a shawl on a cold day, or a superstar kneeling on the floor to chat with crew. Those things stay with you. They shape your craft and your attitude. 2
Early-2000s Run: Comedy, Romance, and Action Ensembles
After “Mohabbatein,” Preeti moved through a busy slate. She featured in films such as “Awara Paagal Deewana” (2002), a madcap action comedy that became a cable and DVD favorite; “LOC: Kargil” (2003), a war drama with a large cast; and “Aan: Men at Work” (2004), an action-drama.
She also appeared in projects like “Waah! Tera Kya Kehna,” “Annarth,” and “Na Tum Jaano Na Hum” (special appearance). This phase built breadth. She tried light romance, action, and ensemble drama, and kept a steady presence in Hindi cinema through the mid-2000s.
Working Across Languages
Even while doing Hindi films, Preeti kept her regional arc alive. She worked in Telugu and Punjabi films, and later turned toward smaller but more challenging parts.
Trying new languages keeps an actor alert. You listen more, you rehearse more, and you stress clarity. It also widens your fan base.

Balancing Work, Marriage, and Motherhood
Preeti married actor-filmmaker Parvin Dabas on 23 March 2008. The two first met on the set of “With Love Tumhara.” They have two sons, born in 2011 and 2016.
During these years, Preeti kept her career flexible. She chose fewer projects at times, focused on family, and then stepped back in when a part felt right. She has spoken in interviews about enjoying the parenting phase and about making choices that fit family rhythms.
This balance is not easy in show business. Visibility demands constant motion. Yet, Preeti handled it with quiet intention. She produced where it made sense.
She waited for roles that offered something more than a song or a cameo. And when she did return to center stage, she did it with a role that won awards.
Reinvention and Awards: “Taawdo the Sunlight” (2017)
After years of mainstream work, Preeti surprised many with a Rajasthani film, “Taawdo the Sunlight” (2017).
She played Paalki, a woman who pushes back against a rigid social order.
The film earned praise at the Rajasthan International Film Festival (RIFF), and Preeti won Best Actress for her performance.
For fans who remembered the college romance mood of “Mohabbatein,” this was a striking change. It showed grit, range, and a hunger to do meaningful parts.
“Taawdo” was also a sign that she was not chasing only mainstream Hindi scripts. Regional cinema gave her room to explore complex themes and layered women. When the film drew applause at festivals, it reaffirmed her faith in picking stories that matter more than screen size or budget.
Producer’s Eye and a New Arena: Sports Entrepreneurship
Alongside acting, Preeti and her husband built ventures behind the camera. One of the most interesting chapters is Pro Panja League, India’s professional arm-wrestling league.
Preeti is a co-founder and a visible face of the league’s growth. The league launched in 2020 and has grown into a franchise model with events through the year.
She has also served in leadership roles in arm-wrestling bodies and often speaks about building a real ecosystem for athletes.
Why does this matter in a film biography? Because it reveals her second act. Many actors try production. Few step into growing a sport from scratch. Pro Panja has created heroes and storylines, much like cinema does, but on a stage that was not mainstream in India.
Preeti’s presence brings attention, but her steady work behind the scenes formats, branding, broadcasts, and athlete support helps the league grow beyond a one-season headline. It also shows her comfort with long projects, logistics, and community building.
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Recent Work: “Udaipur Files” (2025)
In 2025, Preeti featured in “Udaipur Files: Kanhaiya Lal Tailor Murder.” The film drew attention due to its sensitive real-life inspiration and its legal back-and-forth before release.
It finally hit cinemas in August 2025, with Preeti playing Anjana Singh, a journalist and the wife of an intelligence officer in the story.
Reviews were mixed, but her presence again reminded audiences that she is open to topical dramas and is active on screen.
The project also brought multiple interviews where she spoke about intent, responsibility, and the line between drama and real events. Whether or not the film won the box office, it kept her in the middle of a national conversation, and it added a contemporary note to a career that started in the 1990s.
Acting Style and On-Screen Persona
Preeti’s screen image blends softness with resolve. In “Mohabbatein,” that softness was front and center. In films like “Awara Paagal Deewana,” she handled the playful energy of early-2000s Bollywood.
In “LOC: Kargil,” she fit the ensemble drama format with emotional restraint. Where she has really surprised is in roles like “Taawdo,” where the character’s inner fight is the point of the story. There she moved beyond romantic charm into social conflict, and found a new voice.
Her performances often avoid showy tricks. She favors clean expressions, steady voice, and controlled gestures. Directors cast her for calm presence, and for the warmth she brings to relationship scenes. That said, with the right script, she can tilt into intensity, as “Taawdo” proved.

Work Across Industries
One of the best things about Preeti’s journey is the way she moved across industries without fuss. She started with Malayalam, continued in Telugu, anchored herself in Hindi, and kept doors open in Punjabi and regional cinema.
This is not only a career strategy. It is a creative decision. Languages change rhythm. Cultures change pacing. An actor learns to listen better, to adjust to different crews, and to deliver lines with proper local weight. That learning shows on screen.
Over the years she has:
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Starred in “Mazhavillu” (Malayalam).
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Worked in “Thammudu” and “Narasimha Naidu” (Telugu).
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Appeared in Punjabi films like “Sajna Ve Sajna” and later “Bikkar Bai Sentimental.”
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Experimented with a Rajasthani feature in “Taawdo the Sunlight.”
This cross-industry footprint gives her a pan-Indian identity that predates the current “pan-India” buzzword.
Memorable Career Highlights
-
Breakout in a beloved music album: Rajshri’s “Yeh Hai Prem” put her on the map.
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Hindi debut in a giant ensemble: “Mohabbatein” gave her mainstream fame and an IIFA Debut award.
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Mainstream early-2000s run: “Awara Paagal Deewana,” “LOC: Kargil,” “Aan: Men at Work.”
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Festival-winning turn: “Taawdo the Sunlight” and a Best Actress trophy at RIFF 2017.
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Sports entrepreneur: Co-founding and growing Pro Panja League, and advocating for athletes and year-round events.
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Recent topical drama: “Udaipur Files” (2025), which kept her current and in conversation.
Personal Life
Preeti married actor and filmmaker Parvin Dabas in 2008. The two first crossed paths while working together.
They welcomed their first son in 2011 and their second in 2016. She has often spoken about the joy of parenting and how it shifted her pace of work. The family lives in Mumbai. Even in her busiest seasons, Preeti keeps family front and center.
This stability shows in her choices. She does not chase every offer. She looks for meaningful work or meaningful ventures. That includes taking the long view with Pro Panja League, supporting athletes, and creating a space where sports stories can grow.

Filmography
Hindi
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Mohabbatein (2000) – Kiran
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Na Tum Jaano Na Hum (2002) – Special appearance
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Awara Paagal Deewana (2002) – Preeti
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Waah! Tera Kya Kehna (2002) – Meena
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Annarth (2002) – Preeti
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Baaz: A Bird in Danger (2003) – Preeti Rastogi
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LOC: Kargil (2003) – Cameo/ensemble role
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Aan: Men at Work (2004) – Janki
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With Love Tumhara (2006) – Anuradha
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Victoria No. 203 (2007) – Devyani/Mona
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Udaipur Files (2025) – Anjana Singh
Malayalam
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Mazhavillu (1999) – Veena
Telugu
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Thammudu (1999) – Janaki
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Narasimha Naidu (2001) – Anjali
Punjabi
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Sajna Ve Sajna (2007)
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Bikkar Bai Sentimental (2013)
Rajasthani
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Taawdo the Sunlight (2017) – Paalki
Awards and Recognition
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IIFA Star Debut of the Year (Female) for “Mohabbatein” (2001).
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Best Actress at the Rajasthan International Film Festival for “Taawdo the Sunlight” (2017).
These two awards, set sixteen years apart, tell a nice story. One marks a golden debut in Hindi cinema. The other marks a mature, socially driven performance in regional cinema. Together they showcase range and longevity.
Beyond the Screen: Building a Sports Culture
Preeti’s work with Pro Panja League is not a side note. It is a full-scale second career. She has helped craft formats, outreach, and publicity for a sport that was niche in India.
The league now runs multi-city events, brings in sponsors, and creates storylines that keep fans engaged. She often speaks about athletes as protagonists and about giving them the stage they deserve. It is a producer’s job with a sporting heart.
In interviews, she has described how the league runs marquee seasons plus single-day and double-day events through the year. That keeps fans involved and athletes active. For a non-cricket sport in India, that is a smart path. It builds habit, not just hype. 3
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FAQ’s
1) When did Preeti Jhangiani start her career?
She first came into the spotlight in the late 1990s with Rajshri’s non-film music album “Yeh Hai Prem.” That visibility led to ad campaigns and then films.
2) What was her first film?
Her first feature film was the Malayalam movie “Mazhavillu” in 1999, followed by Telugu films, and then her Hindi debut with “Mohabbatein” in 2000.
3) Which award did she win for “Mohabbatein”?
She won the IIFA Star Debut of the Year (Female) in 2001.
4) What is “Taawdo the Sunlight,” and why is it important in her career?
It is a Rajasthani film released in 2017. Her performance won Best Actress at the Rajasthan International Film Festival, and critics praised the film’s social theme.
5) Is Preeti Jhangiani married?
Yes. She married actor-filmmaker Parvin Dabas on 23 March 2008. They have two sons.
Conclusion
Preeti Jhangiani’s career has moved through distinct phases.
She arrived with a gentle glow in music videos, took off with a dream-big Hindi debut, journeyed across industries, pressed pause for family, returned with a strong, award-winning role, and then stepped into a founder’s chair to grow a sport that now has its own heroes and fans. She has kept her voice even and her choices focused.
That is why, when people think back to the turn of the millennium, her face still comes to mind. And that is also why she continues to matter today.
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