Amybeth McNulty arrived on screens with a quiet, steady intensity that quickly captured audiences
Born in County Donegal, Ireland, to an Irish father and a Canadian mother, she blends a regional Irish upbringing with access to broader North American culture through family ties and dual citizenship.
Her breakthrough came when she was cast as Anne Shirley in Anne with an E, an adaptation that reimagined Lucy Maud Montgomery’s classic novel for a modern audience.
That role made her a familiar face around the world and opened doors to film, streaming series, and stage work.
What follows is a full, easy-to-read biography designed for readers who want one clear place to learn about Amybeth’s life and career.
I include a concise stats table, a full narrative of early life and career, a filmography summary, a stats table, frequently asked questions, and sources for further reading.

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Table of Contents
Amybeth McNulty’s Biography
Early Life and Training
Amybeth McNulty was born on November 7, 2001, in Letterkenny General Hospital and grew up in the small town of Milford in County Donegal, in the northern province of Ulster, Ireland.
She is the only daughter in a family that mixes Irish and Canadian backgrounds: her father is Irish, and her mother was born in Canada. That dual heritage later helped when she needed a Canadian passport for work on Anne with an E. 1
She was homeschooled for part of her childhood and became involved in local theatre early on. Amybeth trained with An Grianán Theatre’s Youth Theatre in Letterkenny where she studied acting and ballet.
Those early theatre experiences gave her stage discipline and the confidence to audition widely as a teen. She has spoken in interviews about how local theatre and family support created a steady base that made leaving home to shoot overseas less daunting.
— Amybeth (@AmybethMcnulty) February 11, 2024
Quick Facts
| Item | Fact |
|---|---|
| Full name | Amybeth McNulty |
| Birth date | 7 November 2001. |
| Birthplace | Born in Letterkenny General Hospital; raised in Milford, County Donegal, Ireland. |
| Nationality | Irish and Canadian (mother is Canadian). |
| Occupation | Actress |
| Years active | 2014–present. |
| Breakthrough role | Anne Shirley in Anne with an E (2017–2019). |
| Recent notable role | Vickie in Stranger Things (season 4 and 5). |
| Awards & nominations | Nominated for Canadian Screen Award (Best Lead Actress, Drama Series) for Anne with an E; other nominations and recognitions. |
How she was cast as Anne Shirley: The Breakthrough
The casting process that landed Amybeth the role of Anne Shirley was highly competitive. Producers auditioned many young actors for the role when CBC and Netflix developed Anne with an E. Amybeth, then still a teenager, won the part after an extensive search and immediately became the public face of the new adaptation.
The show’s producers and critics praised her emotional depth, poise, and ability to balance Anne’s imagination, vulnerability, and fiery spirit. Anne with an E ran from 2017 to 2019 and brought Amybeth global recognition.
The adaptation took a modern approach to the source material while keeping its core heart. Reviewers and viewers often singled out Amybeth’s portrayal for its nuance.
She was able to make Anne’s inner life visible in quiet moments as well as in grand speeches, and many interviewers noted how she brought contemporary relevance to themes of identity, feminism, and belonging.2

Early Screen Roles and First Films
Before her big break, Amybeth appeared in supporting roles and independent projects that helped build her resume and on-screen skills.
Her earliest screen credits date to the mid-2010s, including smaller roles that allowed casting directors to see her range. After Anne with an E became a hit, Amybeth took parts in films and TV projects that stretched her into darker, more adult material.
Key early screen work includes participation in indie films and television pieces where she often played characters with emotional complexity. These choices signaled her intent to avoid typecasting and to take on roles that demanded scale and vulnerability.
Sources such as IMDb list her early credits and continue to track her filmography as she accepts varied roles.3

Notable Roles After Anne
All My Puny Sorrows (2021)
Amybeth took part in projects that were more adult and dramatic after Anne with an E. One such project was All My Puny Sorrows (2021), based on the novel by Miriam Toews.
The film deals with grief, relationships, and moral complexity, and allowed Amybeth to work with experienced actors and deepen her dramatic range.4
Stranger Things (2022–present)
A major moment in Amybeth’s more recent career is her casting as Vickie in Netflix’s hit series Stranger Things.
Her appearance in season 4 and season 5 elevated her profile on a global commercial platform.
The series’ continued success means her role reached a huge international audience and introduced her to viewers outside the literary and period-drama world. Coverage in outlets such as Wikipedia and news interviews documents her involvement and the attention it drew.
Other projects and indie work
Amybeth has balanced mainstream appearances with smaller, independent films. Titles such as Morgan (a feature that appears in her early filmography) and other indie projects show her willingness to diversify her acting portfolio.
She has also appeared at industry events and fashion shows, which signal her growing presence in entertainment beyond acting alone.5

Acting Style and Critical Reception
Critics and audiences have repeatedly noted Amybeth’s ability to convey internal life on-screen.
Her voice work-both literal voice and inner monologue has often been praised, especially in Anne with an E where narration and internal rhythms matter.
She tends to choose roles where emotional clarity is as important as outward action. Interviews show she reads widely, researches characters, and leans on theatre training for preparation.
Reviewers have called her performance “mature beyond her years” and “emotionally resonant,” phrases that capture how she makes complex inner states feel accessible and truthful.
She has also been cited talking openly about feminism, identity, and not conforming to traditional gender norms subjects that the Anne with an E adaptation emphasized and that she connected with personally. This public stance has shaped how some audiences view her roles and public presence.
Awards and Nominations
Amybeth’s portrayal of Anne won critical notice and led to nominations in Canada and abroad. Among notable recognitions, she received Canadian Screen Award nominations for her lead work in Anne with an E.
Awards pages and industry records list her nominations and the contexts for each.
While awards are not the only measure of an actor’s influence, nominations from prominent national institutions reflect industry recognition and were an early sign that her work resonated with peers and critics.
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Public Image, Interviews, and Off-screen Life
Amybeth tends to keep her personal life relatively private but engages with fans through interviews and social media in ways that emphasize her craft and her interests.
She has spoken about enjoying simple discoveries like maple syrup during time in Canada, the role of family support in her career choices, and how her mixed heritage shaped her identity.
She also attends fashion events and public appearances that reflect a rising profile in broader cultural conversations.
Coverage in magazines like People documents these moments and captures the behind-the-scenes human side of a young actor managing a fast-growing public profile.

Filmography
Below is a concise filmography that highlights projects a casual reader or fan would likely want to know about. This list is not exhaustive but captures the most widely noted titles.
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Morgan (2016) — early feature credit.
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Anne with an E (CBC/Netflix, 2017–2019) — lead role as Anne Shirley.
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All My Puny Sorrows (2021) — supporting role in a dramatic adaptation.
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Stranger Things (Netflix, 2022–present) — role as Vickie.
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Other indie projects and shorts various credits on IMDb and Letterboxd.
For a full and up-to-date list, IMDb and film databases remain the most convenient references.
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Statistical Table
| Stat | Value |
|---|---|
| Year of first credited screen role | 2014 (early on-screen work began mid-2010s). |
| Breakthrough year | 2017 (release of Anne with an E). |
| Number of major TV series credited in | 2 (major internationally known series: Anne with an E, Stranger Things) — more if counting smaller or regional series. |
| Nationalities | Irish and Canadian. |
| Known award nominations | Canadian Screen Award nomination(s) for lead acting. |
FAQ’s
Q: When and where was Amybeth McNulty born?
A: She was born on 7 November 2001 in Letterkenny General Hospital and raised in Milford, County Donegal, Ireland.
Q: What role made Amybeth famous?
A: Her role as Anne Shirley in Anne with an E (2017–2019) was her breakout. It was a CBC series distributed by Netflix internationally.
Q: Is she Irish or Canadian?
A: She is both. Her father is Irish and her mother was born in Canada. Amybeth has both Irish and Canadian ties and has used Canadian travel documents for some work.
Q: Has Amybeth won awards?
A: She has received industry recognition and nominations, including Canadian Screen Award nominations for her lead performance.
Q: What other major projects has she done since Anne with an E?
A: Notable work includes the film All My Puny Sorrows and her role as Vickie in seasons of Stranger Things, which introduced her to another large global audience.
Q: Does she do theatre or music too?
A: Her background includes theatre training in youth theatre and ballet. Public interviews and bios emphasize her theatre roots even as her main profile is film and television.
Q: Where can I follow her?
A: She is active on social media platforms such as Instagram, where she shares career updates and glimpses into public life. Always use verified or official accounts.
Conclusion
Amybeth McNulty is still early in a career that has already shown range and thoughtful project choices. She has the rare combination of early mainstream success and a continuing interest in smaller, character-led work.
Watch for future choices that might move her into more varied genres, deeper dramatic work, or even stage revivals.
For fans and industry watchers alike, her career is worth following for how she balances craft, public voice, and commercial visibility.
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